noirigamis [anti-about 2 (repeato mote)]

[a misvia oertransferredtext]

repulsive, ultraantiviolent, shifting, incomplete, supraantibaroque, hypercomplex yet inarticulatedly **unfocussedly** vulgar; shifts and changes, states and unstates, never finishes, never explains. grammar wrong, the what wrong, fails every test, not a poem. a beginning; noiseantiquasivissometimesnonpo

poem deconstructed by poem (not-poem), taboo-rip fiesta. reconstruct the most non-poetic of terms, the failed-in-all-respects; this language that happens to exist but interferes everything it likes to combine

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the states language is unable to express, monkeyscreamstates, tigersmating, the hasn't-been-expressed - what the quotidian can't express art/poesis must. experience too much for words, jump around, untimely exclamations outburst, no flow; reality too much for lang, reality-subtextual, the what thus secondary, what's meaningful is body, life-body pre-lang. (brutalized subobject-body (prisoner, victim, subaltern) brutal obsubject-body (jailkeep, crimine, leader) - both object subject, crimvict - real-to-expressed (sans lang plotuptie-reaction, qualification, pc - compounding, further burying already-obscured-bodyattempt (reaction is alive, outside the poem))

(mis)express antilingual jars, satire them, dense-allusion, antiallusion, hyperscholarly context deconstructs word-choice-randomness, metaphysics, shit.

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intense, vibrant opaque, unfamiliar, sudden violence, overtaking; ungrounded shit, frivolous; jarring sex-vulgar reference, detracting the remaining lang; unsure, unclear, not-belonging-together, objectifying

how to ruin a poem - carefully build up a cohesive allusion-set. deconstruct it, lay acartifice bare; artifice is unimportant: subexperience, subpoetic, langmasked. oppress, represent the unspeak, the sansvoix, dehumanized can, objectpackage anthroproduct.

however poexperience is not in pseudofixitrationalizations of the ostensibly critical; you're subject/protagonist, poem violation, insult, flow-oppressive, beauty/taste, jars/accosts; poexper doubles message-point, doesn't claim/explain/tidy (pseudo-eliminate) problems, attempts faith to subject - realsolution, course - art's job to justly express the problem.

feminist not just well-to-do, vote, hear certain words, but truly oppressed, situation silenced on all accounts, "horrible" experience simply not allowed to be. not only, however, but pro-poor, sick, mutant, aberration, outcast, dregs, enprisontrapped, mistake(n), messy/i(ness), i/unable.

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subject, reader, also voice-speaker. poem-construction by inadequate non-existent, shit-overuse fixateobsessphrase: unawareness, repulse-disgustlang, retard-repeat, particle-lang small indivgroup-normal, squashedmethodology mutated to the ultrapolemic, need-hundred-years-have-one-line, messy, unable-plan, incoherecry, instant-listener-grating (surfeitshare, community), surfeit-commune muffle by overtaking (grosspic), effect-detraction, silence language-set which took months to calculatively formulate - with word, line.


beginnings, anticriticalia, methods of approaching the unapproachable. speak for the mutilated, fail perservering in the attempt.

haywooddacre, veillift, yellowpaper, zurnmansourackers, galaslunchkoja, stamanterson, cartercarver, yokosolanas, translowbrow, anti, outsidegrotto

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in order to truly call one's workselfintention a defender of anything one first must truly represent these experiences in all their manifestations (not just the tidy ones)